Month: April 2024

7 Reasons I Love Heroes

My writers group held a workshop last week on the anti-hero. Most people in the room could rhyme off whole lists of such characters and always with a little sigh, a yearning for the “bad boy.” The anti-hero is a very popular trope in modern day romance, not only in books but also in movies and television. 

To create the anti-hero archetype, we needed to look at heroic qualities and then turn them around. 

 


Hero                                                              Anti-Hero

     Selfless                                                                      Selfish

    Brave                                                                          Cowardly

   Honest                                                                        Dishonest

    Loyal                                                                            Untrustworthy  

   Moral                                                                          Follows his own code

   Kind                                                                               Self-centred

   Acts for the good of all                                     Acts only for himself


Of course,  these seven attributes are only a partial list of traits of both characters, but I’d choose the  “hero” over the “anti-hero” any day of the week.  I admit to finding the scoundrel style anti-hero amusing, think Professor Hill in The Music Man, or Bret Maverick    but do I  really want that man in my life? Could I trust him in the long run? When would his charm become irritating? When would he run off and leave me destitute?         

In our cynical world it is fashionable to scoff at the guy in the white hat, but I like my old-fashioned heroes. Matt Dillon in Gunsmoke, risked his life over and over again to keep the town safe. He was loyal. He was honest. He watched out for the misfits. You could trust your life to a man like that. 

Now I will outrage Jane Austen fans by suggesting that Mr. Darcy is not a hero.  He is arrogant, rude, self-centred. He has no compunction about destroying Jane and Mr. Bingley’s happiness, because of his pride. Where is the kindness in that? Admittedly, by the end of the book he has acted to protect Elizabeth and her silly sister but only because he can’t help himself from loving Elizabeth, not from any innate kindness. It sounds very romantic that Mr. Darcy will sacrifice himself for love but really . . . what kind of marriage lies ahead? Elizabeth will have all that lovely money but will she spend the rest of her life apologizing for her family? For not being the woman he would choose if love hadn’t played havoc with his plans? Will he always look down his nose at her? Will she always be “less than?”

I predict Jane and Mr. Bingley will have the happier life together.

The heroes in my books are definitely “white hat” types. Sean O’Connor in The Man for Her, has set aside his own dreams for years in order to look after his family.  He is brave –the rustler scene; loyal — the fist-fight over Lottie’s honour; kind — the way he treats Michael.

In Her One and Only, Grey North has some dark secrets in his past, but he puts aside his own desires to please his mother. He goes out of his way to protect Emma when secrets from her past threaten her life. He behaves honourably when he realizes he has compromised her.  He is a community leader in the growing town of Prospect, and he wins our hearts with a lavish gesture to show his love for Emma.

In Her One True Love, I’ve given heroic qualities to two men. Jack Kendal is a mounted policeman, committed to serve and protect, even at great personal cost. Daniel Stanton is a clergyman, his life dedicated to helping and serving others. Louisa has a hard time choosing between these two men because both are selfless, brave and kind. They fit the model of a hero.

In our politically correct world the term “hero” is being replaced with protagonist or main character. Those terms work well for the anti-hero, but they are too wishy-washy to describe the real hero of my romances. I’m old-fashioned enough to want the “good buy” even if he finishes last, over the “bad boy.”

 

 

 

 

 

 

 

 

 

 

 

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6 Nostalgia Tips for Writers

Browsing through a box of old family photos and scrapbooks, I found myself weeping, while remembering happy events. Why such contradictory emotions? Nostalgia. 

The dictionary defines nostalgia as : a wistful desire to return in thought or in fact to a former time in one’s life, to one’s home or homeland, or to one’s family and friends; a sentimental yearning for the happiness of a former place or time.

That seems like a dry definition for such an emotional state.  

A further exploration of nostalgia determines it is a truly meaningful emotional experience, usually fleeting and fragile, that underlines a sense of something lost and finding it again, for one brief moment.  As one paper put it In that moment, you are connected; you have placed a phone call directly into the past and heard an answering voice .

Longing and Loss

In preparing this post I read several papers on nostalgia and they consistently pinpointed longing and loss as critical to feelings of nostalgia. That is why I cried over photos of happy times. They are gone now, the people passed away or scattered, the places changed almost beyond recognition. The happy memories are edged with loss. 

Beyond the dictionary definition, nostalgia evokes powerful emotions and thus, is useful to a writer of romance. In this genre, perhaps more than any other, the emotional reponse of the reader is paramount. We want our readers to fall in love with the hero, to weep with the disappointed, to despise the villain.

Nostalgia for Writers

    So, how can we, as writers, use the power of nostalgia to add impact to our stories?

    1. We can use it to put ourselves in an emotional state. Look at an old photo or call up an incident in your memory, that evokes nostalgia in you. Now that the writer is feeling fragile, vulnerable and maybe a little weepy, she can transfer that state to the character on the page.                                                                                                                                                             
    2. Use nostalgia triggers to hook the reader. The town of Mayberry never existed, yet millions of viewers identify with the place and the time, when they watch the Andy Griffith show. Why?  Because they long for the security and friendship and sense of belonging that attach to Aunt Bea, Opie and the rest. I’m not suggesting you set your book in Mayberry, but use a word or two to tap into that longing that resides in your reader and you’ll have them hookedon your story.                                        
    3.  Find triggers for your characters that will call forth a response from readers as well. Perhaps your heroine catches the scent of apple blossom and is swept back to a happy time in her own life. Even if your reader doesn’t like apple blossom, the sense of smell is a strong trigger for memory and they may recall their own favourite blossom or scent.  I just read an article citing red roses as a touchstone and my mind flashed to my Dad. To him, the only real flower was a red rose. In an instant, I was down the rabbit hole of memory, and the blog post that mentioned a red rose became memorable to me.                                                                                                                      
    4. We all share a longing to belong, to be part of a continum, to have roots. Help your  characters to find their HEA, by giving them that place, literal or figurative, that is “home.” The place they belong.  Call upon your own nostalgic moments to define the emotions that surround that place.    
    5.   In historical fiction, incorporating nostalgic elements can enhance the tone and setting to draw the reader into your imaginary world. Who can resist the image of a team of draft horses pulling a plough across the wide prairie? You can even mention the smell of leather harness, the dust in the nostrils of the ploughman, and the heat of the sun beating down from a cloudless sky.                                                                                                                                           
    6. Use nostalgic writing for reflection. Let your character muse on the passage of time since she was the prom queen at her high school, and all the changes and growth she has experienced since then. She may look back fondly or sadly on the girl she was then. That’s a decision for the author. Whichever it is, the reader will be drawn in — she’ll reflect on her own teen years, she’ll be emotional, maybe even shed a tear– and she’ll love your book.

    There are many ways a writer can tap into the powerful emotions that nostalgia elicits, these are only a few. Don’t pound your reader with all of them at once, but sprinkle a few bits here and there. Your story will have that little bit extra emotional writing that readers crave.

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