Month: January 2025

5 Body Language Surprises

I had a very strange start to the year — I lost my voice. I don’t mean I lost my ability to sing or declaim from the stage. I mean I lost the ability to make any sound using my vocal cords. (Aphonia)  Never happened to me before and was, frankly, scary. Here’s how.

  • I couldn’t call for help. If I fell in a ditch, I couldn’t cry out. I had to attract attention by banging things, or throwing things, or physically assaulting my hearers. Not an efficient way to get help quickly. 
  • By the same token, I couldn’t sound a warning. When I saw danger approaching someone else, I could not call out an alarm. It made me feel helpless and culpable in another’s misfortune.
  • My sense of identity suffered. I am a singer, my voice has always been an important part of my make-up. To suddenly be silenced struck at the core of my self-confidence.
  • I was isolated. I could not carry on a conversation. Meeting with friends left me feeling left out since I could not participate in the exchange of news and ideas.
  • I couldn’t use the telephone. When my brother called from 2000 miles away, I couldn’t even say hello. How disappointing is that?

Writers often study body language as a means of making their words on the page more powerful. Well, being mute for three days, I had lots of time to practice body language! I got a stiff neck from all the nodding and head-shaking. My eyeballs rolled up and down so often they needed a massage. My mother told me it was impolite to point, but I pointed at everything, big, stabbing, forefinger pointing. How else could I tell my husband to feed the cat?

Surprises

I referenced surprises in the title of this post.

  1. Here is the first one. As a writer I’m familiar with the importance of body language in our fiction.   On the page, we use things like “pursed lips” or “clenched fists” or “narrowed eyes” to convey mood or emotion.    In real life, those cues are too small to make up for the lack of words. If no one is looking, pulling your lips into a prune shape accomplishes nothing but to create  facial lines.   Maggie Lawson talks about “amplifying” important moments in a novel.  She adds metaphor and cadence to amplify those pursed lips. i.e. “She pursed her lips so tightly I thought she might choke.”                                                                                                                                                 
  2. Voice is elusive. We are born able to make sound, even if it is just a wail. Every day of my life, I have had a voice — until I didn’t. In writing, the author’s “voice” is just as necessary and just as hard to define. It is that indefinable something that marks a passage as unique to that particular writer. Stephen Sondheim and Oscar Hammerstein II used the same notes of the scale, but the music – voice – they produced was entirely different. It is that distinction that marks an author’s voice.                                              
  3. Characters have voice. Here the possibilities for a writer are endless. We can speak of specific characteristics like a “gravelly voice” or a “breathless whisper” or “as shrill as nails on a chalkboard.” But once we have decided on a defining trait for our character’s voice, we need to stick to it.  Just as a baby can recognize his mother’s voice, we want our readers to recognize the voice of a character without having to use dialogue tags. What a protagonist says and how he says it, should identify him. If the hero and the villain sound the same, the story needs a rewrite.                                                                                                 
  4. Authors can use speech, or lack of it, to advance the plot. When I was mute, I was easily overlooked in group settings. Just like the servants in a Regency novel, I was invisible, discounted. If you write a story about a woman who struggles with self-confidence, make her silent in a crowd. She’ll have plenty of time to observe and won’t be seen as a threat to anyone. Think Miss Marple.                                                                                     
  5. Life experience is a marvellous teacher.  Until I lost my voice I’d never considered the implications of being mute. I expect life experiences used in fiction to be huge–earth-shattering, monumental –things like life and death and love. But small things have consequences. Those small things just might be the trigger to lift your writing to the next level.

Life is full of lessons. As authors we can use every experience to enhance our writing. We need to train ourselves to be aware and take note of all the moments, big or small, that make up our own backstory. That is the well from which we draw when creating compelling characters.

Please share in the comments any surprising discoveries from small events in your own life.

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2 Lessons for the New Year

I hope everyone enjoyed a good break at Christmas. I know I did, although with the holiday falling on a Wednesday I was mixed up a good deal of the time about what day of the week we were on. It seemed I had two or three Sundays in every seven day stretch.

I got my Christmas wish with a pile of books under the tree — mystery, romance, literary and non-fiction. Love all the choices. I’ve finished Louise Penny’s latest mystery and am now reading a literary novel set in Ireland.

I also found time to listen to a webinar by Alessandra Torre on goal-setting and read an eye-opening article by Donald Maass on Writer Unboxed about taking your moral inventory. Moral inventory? What’s that? And what does it have to do with being a writer? As it turns out, according to the post, quite a lot.

Maass holds that there are two types of story-telling, the mirror and the arrow. The mirror reflects the culture, the arrow points the way to something else (better.) He offers a little quiz to help readers determine which category they fall into by determining their moral inventory, i.e. does the writer believe fate (mirror) determines our path, or does she believe in destiny (self-determination.) Try the quiz for yourself. It’s in the link I posted above. 

When I answered the questions and scored myself, I came down almost in the middle 5/7. That’s my usual fate when faced with a self-knowledge quiz of any sort. Still, I found it useful to consider that I fell slightly more on the arrow side of the equation. At one time I was a teacher and I guess I never got over it. I do want to tell readers what to do. 🙂 

Apart from the total score, I found my answers to the questions enlightening.  I chose faith over reason. I saw each day as opportunity rather than peril. If those are my deeply held convictions, then, if I write characters with the same mind-set, they are more likely to resonate with readers since they are “true” to my beliefs.

Now, I’m not about to sit down and write a story based only on my answers to the quiz, but if I keep in mind that my moral inventory leans toward arrow, it will give me a new way to look at plot points that get tangled up or characters who won’t behave. Are those characters arrows or mirrors?

And, getting back to Alessandra Torre’s webinar, do my readers want to read stories of arrows or mirrors? Which do I want my “brand” to reflect? Torre’s notes were very focussed on marketing and finding an audience. Her own experience shows that readers like an author to “stay in her lane.” That is, they want to know, when they pick up an Alice Valdal novel that it will be like the last one and the next one. 

The Louise Penny novel I just finished is her 19th in the series and the characters and setting are familiar to me. I look forward to spending time with those people in those places. I would be disappointed if Armand Gamache suddenly became a hippie, or Ruth Zardo played nice. The books are not boring, the suspense goes right through to the last page, but they are on brand and I can shell out my dollars knowing I’ll be happy with the book.

I’ve given up on New Year’s resolutions, but I’m happy to have two new lessons to apply to my writing career.

What about you? Any resolutions? Changes? Goals? 

 

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