Tag: emotion

Danger, Reader Ahead

Beacon BooksReading

The books that have resonated with me this past two weeks are books about reading. In one an important “personage” discovers reading later in life. Of course, she has always read — letters, recipes, documents, assignments– but at this stage of her life she discovers books as a window to the world. She reads indiscriminately, taking whatever volume the librarian hands her. She has not planned  what type of book is worth her time. History, fantasy, travel, romance, classics, foreign language — all are equally welcome on her bedside table.

The more the “personage” reads, the more she explores her own feelings. Because, that is what books do. They invite the reader into the world of another person. They help the reader to experience the events and feelings, of that person’s life. Our “personage” finds her values, inherited and always unquestioned, begin to soften as she gets inside the mind and heart of the characters in her books. 

In the beginning, reading was a guilty pleasure for our heroine. As time goes on, and more books are studied, she looks on the people she meets in the real world with more understanding. She hears their comments from a place of vulnerability. Through the reading of books, our lady of position becomes more human.

The second book, I referenced in my last blog. In this case, the heroine of the story works with words and books all the time, but is forbidden to read them. Over and over she is told her job is “to fold the pages, not read them.” But she has a longing within her to know what the words mean, to know what knowledge they impart, to read the complete thoughts of another.  She knows that she is missing something. Every time she folds a book, gathers the sections and sews it together, she wants more. She wants to know what the author said, what aspect of humanity is laid down on the written page.

Without giving away too much of the plot, I will say that, by the end of the book, she is allowed to read the books, not just bind them.  

Unlike the protagonist in the first book, who discovered humanity through reading, the second heroine discovers herself through reading.

AI

In between reading these lovely books, I read several articles about the rise of AI (Artificial Intelligence)in the world and what that means for writers and artists and other “creatives.” The forecast is not hopeful. The potential for AI to replace real people in the arts is enormous — and disheartening.

AI is not human. AI can sort and regurgitate inputs at a tremendous rate of speed. A reader can order up a book in the style of Nora Roberts, set in Australia, and featuring a blind protagonist and get a readable result in minutes. What they don’t get is Nora Roberts’ understanding of the human condition. They don’t get insight — they get a distillation.  They don’t get real, human emotion, they get a simulation of emotion. Remember when intellectuals scoffed at the “Reader’s Digest” version of books? They held that these condensed books missed out on the value of the writing and merely presented a summary of the story. Well if a condensed book was unworthy, AI is even worse.

Give me books that plumb the heights and depths of the human experience. Give me books that enlighten. Give me books that create empathy. Give me books of original characters that will live in my mind for days or even years to come. Only a skillful, human writer can produce Tom Sawyer, or Elizabeth Bennet, or Cinderella. Characters that have become part of our collective conscience.

AI can mimic them.

It cannot create them.

I hope that we readers, are like the characters in the two books I described–folks who explore the human condition through the imaginings of a human author. The world of the individual will improve and the world of our collective society will benefit.

Please drop a comment here.

Deep Point-of-View

I had been going to write about deep point of view today. Until I went outside. On a perfect fall day, all cerebral activity vanished and I had only emotion.

The bounty of this earth stirred my soul to gratitude and wonder. Look at this little apple tree, laden with fruit. And these, boxes and boxes of apples from the Golden Delicious.  We haven’t even touched the Northern Spy or the Ida Red.

My heart overflows. I must share–both the fruit and the feeling.

Not content with apples, I look about and see the fuchsia glowing in the sunlight.

Dahlias     burn red like fire and shine white like ice.

 

The last roses of summer perfume the air.

Fall, the season of harvest, overwhelms with its abundance, its extravagant grace.

Over the past week, we’ve heard a lot about climate change and the fragility of our planet. It is a cosmic topic, perhaps requiring an astronaut’s view to comprehend. But I can see the bounty of my orchard, the beauty of my garden, and tremble for them. 

Guess I did write about deep point of view after all. Mine. No skimming the surface here with words like “she worried,” or “he felt.” This page holds emotion with a capital E. That’s what a romance reader wants in our books.

The Forgotten Sense

“Use the five senses,” is familiar advice to all writers. Just as news reporters use the 5 W’s — who, what, where, when, and why to check their stories, fiction writers can use sight, sound, smell, taste and touch to enhance the emotional impact of their tales.

 

Nothing triggers memory like a smell. I have two four-month old kittens. They were born in the country and at only eight weeks of age they related to smell. We had transported them 2500 miles, from the prairies to the coast, but when the scent of new-mown hay wafted through an open window, they stopped playing and sat up as tall as they could, their little noses twitching mightily as they inhaled the aroma of home.

Psychiatrists will tell you that smell can trigger forgotten memories, and stir the emotions. The perfume industry is built on that premise. A simple fragrance won’t make people spend hundreds of dollars on an ounce of liquid, but the emotions that fragrance elicits, will pry open the  purse.

Because scent has such a powerful effect on the emotions, good writers use that correlation not only to describe a scene but illuminate characters and draw the reader into an emotional  connection with the protagonist of the story.

Out on my bicycle I gloried in the number of summer smells I encountered on my ride–lavender, roses, ripe blackberries, fecund soil, dusty hay,  a horse barn . . . I inhaled them all with a smile to my face and joy to my heart.  I should be a natural when it comes to using scents in my novels. Sadly, while I enjoy the fragrance of my garden, I’m not good at incorporating the fifth sense into my writing.

In my wip I reference the smell of clean mountain air — a lost opportunity. Clean mountain air is generic. If I said, “clean mountain air filled her lungs, driving out the stench of the immigrant ship, erasing the odor of poverty and desperation” I’d have done a better job of placing the reader in the story and giving her a reason to root for the heroine.

There are many literary works devoted to smell, but I thought I’d investigate the romance genre for tips on how to include the forgotten sense in my writing.

“His face and eyelids were swollen and he was beginning to stink like rotten meat.” The Silver Lining by Maggie Osborne. Maggie Osborne is a favourite of mine, even though she is no longer writing. Notice the words here– “stink” “rotten–deeply evocative. She could have said “smelled bad,” and the impact would have been lost.

“When I pull loose wrap off the top of the bottle and  stick my nose in, it is agreeably, deeply sour.” How to Bake a Perfect Life, by Barbara Samuel. I knew I’d find examples of cooking smells in Barbara Samuel’s work. What I like about this example is the paradox of “agreeable” and “sour.” Most of us consider sour an unpleasant odor, not an agreeable one. However, it you are making sourdough starter, the concept changes.

“The scent of fresh blood on an undercurrent of primeval decay choked Elodie Rousseau, nearly bringing her to her knees.” Choosing Bravery by Jacqui Nelson.  Jacqui writes historical westerns. Aromas can conjure up the old west in a few words. The “scent of fresh blood” is a generic phrase, but “primeval decay” and “choked” lift this sentence from ordinary to memorable.

I’m now off to scour my work-in-progress for missed opportunities to use the power of scent in my story.

How about you? Any favourite “smelly” writing examples you’d like to share?

 

 

 

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