Tag: scene and sequel

5 Takeaways from Craft Workshop

My writer’s group held a hybrid in-person/on-line workshop this month. Since I’ve missed the company of other writers since COVID changed the way we do business, I went to the in-person part. There weren’t a lot of us in the room, but man, was it good to reconnect. I know on-line offerings use the word “connect” but electronic connections are not at all like human connections. So, before the workshop ever began, I was in a positive frame of mind. Here are some of my takeaways from the afternoon.

  1. When the presenters from DarlingAxe.com started their talk, I was totally engaged. The title of the workshop was “Killing Your Darlings,” which is a common concept among writers and a play on the company name so it is not surprising that the afternoon was filled with wisdom and laughter and some basic writing advice dressed in new clothes. ( Kill your Darlings is writer shorthand for cutting out flowery, unnecessary words that please your creative side but do nothing for the story.) 
  2. One often hears experienced writers complaining that craft workshops have nothing to teach them but I disagree. There is always something new to learn. For years I’ve been hearing about “stimulus and response,” “scene and sequel” and it didn’t help me a bit when it came to the actual writing of my story. Sometimes intellectual concepts provide knowledge without striking the emotional chord a writer — and a reader — needs.Michelle Barker and David Griffin Brown talked about “causality.” i.e. every scene requires a character to make a decision. That decision propels the story into the next scene.  This is not a new concept, but, for me, the language was new and effective. While they talked I pondered the short story I’m writing for my newsletter readers. I knew it had problems because what my main character wanted was a negative. i.e. she didn’t want Christmas.
  3. One of the creative concepts presented was the “thread test.” This is a way to test if your idea can translate into a story. It goes like this: when A happens, B must do C before D. A is the inciting incident, B is the protagonist, C is the conflict and D equals consequences.  Eventually those consequences should lead the protagonist — and the reader — to the goal of the story. In the case of romance that goal is happily ever after. 
  4. As the afternoon progressed, aspects of story-telling were presented, examined, and remade. By the time we got to quitting time, I’d managed to rethink my Christmas story into action instead of static emotion.  I’d given the heroine an achievable goal and I’d created scenarios which would prevent her from getting it. In other words, I’d made a rudimentary outline. For a pantser that was an amazing accomplishment.
  5. When I celebrated my last birthday, I considered dropping out of my writing group. It had become a chore. I volunteered on the administrative team, but I wasn’t feeling the joy. I missed the people. In the end, I gave it another year. I’m so glad I did.If you’re struggling with your writing, I highly recommend finding a supportive writing group, taking courses, meeting up with a critique group — anything to give you real, live, human contacts. Artificial Intelligence is getting better at doing our work but it isn’t a friend. It isn’t a hug on a bad day. It isn’t a cheerleader when you finally finish that manuscript.

 

Visits: 114

Writing Tips from Calico Cats

Now that the calico cats have taken over my life, I thought I’d pass on a few writerly hints I’ve learned from them.

  1. Anything is a toy —  a crunched up piece of tissue paper, a string, a dust bunny, your human’s fingers… That expensive invention from the pet store  will have a short life.        For writers this brings back the old adage of “write what you know.” It is tempting to think that travel to exotic places or rubbing shoulders with glamorous people would solve all our writing woes, but stories come from our imaginations. Exotic locales are only embellishments. Use the people and places around you to pepper your stories with “real life.” Even if you live in the dullest neighbourhood of the dullest city in the dullest country in the world, you know stuff. How about your busybody uncle? Take certain aspects of his character, exaggerate them and weave them into the mentor character in your story. Do you have a neighbour who obsesses over his lawn? That’s a gift to the story-teller
  2. Be curious. The world is an exciting place, observe, ask questions, reflect, rework, read widely. Spend an afternoon with a master quilter or a farrier or a dog walker.  Recall some of your childhood dreams. Did you want to be a ballerina? Volunteer at your local dance school and learn the behind-the-scenes reality.  You never know when those tidbits of information you pick up can add depth and interest to your stories.
  3. Pace yourself.  Play hard then nap.              For writers this is “Scene and Sequel.” Jack Bickham wrote a whole book on the topic but the essence of the concept is that scenes are full of action — stuff happens. Scenes are exciting, they move the plot they put the characters in dangerous places. Sequels happen after the scene. They are a time to catch your breath, think about what just happened and plan your response.
  4. Purr. Even a naughty cat can melt an owner’s heart with a full-throated purr.                                                                                For writers this equates to playing well with other writers. Be kind. Be generous. Post a review when you can. Send your favourite author a fan letter or comment on her blog. Offer a critique. Sometimes it seems we labour in a vacuum. Offering encouragement makes you a nicer person. Readers want to know nice people.
  5. If you’re cute enough, It is a very cold heart indeed that can resist a cute kitten .              For writers this means packing your work with sparkling prose, memorable characters and unexpected twists. Good grammar alone won’t save a poor story, but if your words are engaging readers will be more willing to suspend disbelief and accept the, perhaps, preposterous scenario you’ve presented. I know I’ve thought, “that can’t ever happen,” yet read to the end of the book because I enjoyed the conversation I was having with the author.
  6. Life’s an adventure — enjoy the ride.

Now, the calico cat just hid my pen. I’m off to discover the world under my desk.

 

Visits: 87

© 2024 Alice Valdal

Theme by Anders NorenUp ↑