Category: For Writers (Page 1 of 18)

Love is Love

April 9, 2025 / Alice Valdal / 0 Comments

T.S. Eliot called April “the cruellist month.” Here, in Canada, that has certainly proven true with the weather. One day we are basking in sunshine and summer temperatures, the next an ice storm, or snow, or rain comes barrelling down, flattening flowers, breaking tree limbs, knocking out power lines and damaging roofs.

Added to the cruelty of the weather is the uncertainty swirling over financial markets and world affairs. A ceasefire is announced and then broken. Medical workers and journalists in a war zone are killed. In Canada, we are in the midst of an election.

In the publishing world copyright issues, Artificial Intelligence, tariffs, and book banning create an unprofitable and frightening world for authors. Many wonder if they should continue to pour love and effort into fiction — especially romantic fiction.

Writers must each answer that question for themselves.

But, for encouragement, I offer this bit of philosophy. I just finished reading a book with a very tangled and convoluted plot. People fell in love, or out of love. Parents and children and siblings had difficult relationships and unhappy lives. What seemed good often ended badly. What seemed wrong turned out to be uplifting. When I finished the book I had to reread it to find all the dropped threads and tie them together. But — the “moral” of the story was “love is love.”

As we struggle to find our footing in this shifting cultural landscape, I think it is worth remembering that “love is love.” When we ask “what’s the point?” Love is often the answer. Sometimes that is “boy-meets-girl” kind of love. Sometimes it is “the -lost-is-found” kind of love. Sometimes it is finding self-love in a damaged life. For some, it is finding, and receiving, the love of God. For writers it may mean finding or rediscovering the love of craft.

It seems to me, that the heart, in the end, is what drives our living. If the turmoil of our world is overwhelming, look deeply into your heart. There you will find an essence that offers solace. There, behind the baggage and disappointments of the mind, is peace.

If you are a writer, write stories from that place — offer your understanding and your love to the world. Love is love and can heal even the most flawed of human beings.

P.S. The cat pictures in this post are just to make you smile, and maybe remind you that pets offer their own form of love.

6 Ways to beat the Sophomore Slump

March 26, 2025 / Alice Valdal / 0 Comments

The sophomore slump refers to the sense of letdown experienced by second year college students. After the excitement and high dedication of their freshman year, second year looms as a bit of a grind — and their marks reflect that attitude.

A similar phenomenon sometimes occurs with a writer’s second novel. The first story may have taken years, and too many re-writes to count. The author poured all of her heart and soul, skill and talent into that first work, determined to bring her best work to the publisher. But, having secured that first success, the second novel is sometimes a disappointment. The writing may be rushed, the plot trite and the characters a little flat. It’s still a good book, but it doesn’t live up to the promise of the first one.

I’ve been doing more reading than writing these past few weeks, and I think I’ve been reading those “less than” efforts. Perhaps that accounts for my disappointment with a couple of new books written by authors I hugely admire and enjoy.

The first ho-hum response came from the latest in a very long series. This author is an auto-buy for me. I love her characters, her setting, her use of language, and her voice. But this latest offering felt a bit — stodgy. Hard to put my finger on exactly why I felt let down, but I suspect that “world famous author” is not getting a good hard edit. Some of the beautiful prose seemed to be there because it was beautiful prose, not because it advanced the plot.

The second book in question was a new offering from an author with many fewer credits to her name. I have read them all and enjoyed them all, but none seems to live up to the promise of the first. The latest work, to my mind, is her weakest. Again, I ask why? In this case, it seemed to me that I was reading a late draft of the story, and not the polished final manuscript. This can happen when publisher and reader expectations push a writer into producing at a quicker pace than is comfortable for her. Or it could just be that this author is running out of ideas. Her characters were so similar to those in previous books they could almost be the same person but with the names changed. The romance threads seemed facile and shallow. The ending had a “they-came-home-tired-but-happy” feel about it. I got marked down for that in grade three. I expect better from a multi-published author.

I didn’t set out to disparage these authors in this post. Rather, I was seeking to share lessons I’d learned about keeping my writing fresh. Here are my thoughts.

Refresh the characters. Even if they are returning characters used in a series, they need to grow and change — in exciting ways. Just making them older doesn’t heighten the tension. If an athlete is older, make the loss of physical prowess have an impact on his life and the story. Then his aging is germaine to the story.
Introduce a new element. If you write small town with the same characters in the same roles over a number of books, bring in a stranger. She can be like a stone thrown into the calm waters of your little town. Let the ripples impact all those stock characters. Unsettle your familiar, cozy small town. It’ll make a better story
Cut, cut, cut. I’ve heard editors reject work for being “self-indulgent.” I think the books I referred to earlier fell into that trap. The author was indulging her love of language to create long, prose passages that read beautifully, but did not advance the story.
Take a break. When the words are hot off your pen, or keyboard, they sound like perfection itself. Enjoy that feeling. Walk around for a week or so, buoyed with the sense of accomplishment. Imagine yourself accepting awards for this marvellous book. Then re-read it with a cold eye. Your masterpiece probably needs another edit.
If you have a trusted beta reader (not your mother) send the ms to her/him.
Listen to what s/he says.

Sophomores and second books are not predestined to disappoint, but knowing the hazards should make students and writers alert to them. I look forward to the next offerings from my favourite authors, but if they continue to fall short, I’ll rethink my purchases. There is a saying in the writing world, “you are only as good as your last book.” Let’s make sure our last book is our best book.

Here, There, and Everywhere

March 5, 2025 / Alice Valdal / 0 Comments

Last month I published a post here about etyology — the study of the origins of words. Since then it seems I stumble over etyology, linguistics, syntax, idioms and the like at every turn. Even a book on music is talking about the rhythm and cadence of words as a tool to understanding how music affects our brains. Running into this same concept over and over might be called the Baader-Meinhoff phenomenon, or frequency illusion.

Writers often discuss experiencing this phenomenon when they have an idea for a new story. Our creative juices my be sludgy and opaque for weeks, months or even years, then we get an idea, or even just the glimmer of an idea. Suddenly, we see that idea playing out all around us. On the flip side, it seems several authors get a similar idea at the same time. Is it something in world events that triggers a common notion? Is there really a god-like muse at play who plants a thought in a dozen minds to see if it will grow?

I can’t answer that question, but I do know I’ve been running into language delights everywhere for the past few weeks. Here are a few instances:

At Bible Study, we heard about Jesus’ visit to Jericho. It would appear that Jericho, both ancient and modern, is a nice place.”Why then,” I asked, “do we ‘wish someone to Jericho’ when we want them to go away to a not nice place?” No one but me knew the expression but I had read it in the works of L.M. Montgomery. So I looked it up and here is what I found.

The expression “go to Jericho” comes to us from the Old Testament where it appears as a command by King David to his mistreated and dishonored envoys to King Hānun of the Ammonites. At some point, however—perhaps by the middle of the eighteenth century, to judge from the examples in Farmer & Henley, cited above—English speakers began to use it euphemistically to say “go to hell.” The expression may have persisted in some corner of the English-speaking world, but it does not appear to be in general use today. Slang and Its Analogues Past and Present

My next example came while watching the Canadian Men’s Curling Championships, known as “The Brier.” An announcer used the phrase “the straw that stirs my drink.” The other broadcasters were flummoxed, never having heard the expression before. So, once again, I looked it up and found

The most valuable or important person or thing in a system. The phrase is usually attributed to baseball player Reggie Jackson. At the time it was viewed as a boastful commentary about his importance that ruined his relationship with other players.

My last example is a simile rather than an idiom but the colourful language appealed to me. A book describing a woman trying to make a living on a stony, neglected farm said “she worked as hard as three sled dogs.” Anyone who has seen a team of sled dogs towing heavy loads, while running at speed can understand the reference.

Using idioms and colourful phrases can distinguish an author’s voice, make her prose memorable, and add a sense of place and time to the writing. But such devices should be used sparingly. Too many and the work becomes a caricature. Sometimes that is the aim — think “Hee Haw”– but readers can be easily turned off if the language becomes hackneyed and trite. Think of idioms in your prose like salt in your stew — a little is essential, too much spoils it.

New Look at Morning Pages

February 19, 2025 / Alice Valdal / 0 Comments

VIRA

Last week my romance writers group, VIRA, held our Valentine’s brunch. It was a great time. Since COVID we’ve met mostly on-line so it was a real treat to meet up in person with my “tribe.” The room was loud, the laughter plentiful, encouraging words filled the air. And that brings me to morning pages.

Writing Workshop

When I first began this writing journey, I diligently wrote morning pages because Julia Cameron said to, and so did Bobbi Hutchinson, the presenter at the very first romance writing workshop I attended. She said, “if you don’t know what to write, start with I remember . . .” I revelled in those pages, enjoying the flow of words from my brain to my pen, playing with story ideas, creating characters who might or might not show up in a story. I practiced being a writer.

Menopause

But time passed, my writing time got shorter and my career stalled. Menopause gave me the gift of brain fog and stole half my vocabulary. Morning pages seemed a waste of time. It was so hard to drag words from my brain that I elected to use them only in my stories. And writing became all work and no play. As the years passed, I wrote less and less. My “career” died.

Joy Cometh in the Morning

That brings me back to the VIRA party. I’d been keeping my “shameful” secret — the one about not writing — hidden from my writing colleagues. But, at the party, I told the truth. No one scorned me or pointed fingers. Instead, an old mentor suggested I write about something that I have held dear all my life. “I see passion there,” she said. She was right. I’ve gone back to writing pages– sometimes in the morning, sometimes in the afternoon — in order to tell a story about myself that makes me smile, or weep, and sometimes elicits a wry chuckle. The words are coming easier — not elequent, but serviceable. I look forward to time at my desk rather than avoiding it. I don’t even think about publishing or having a career. For now, I am thrilled to pick up my pen and write two hundred words that bring me joy.

Society’s greatest loss during COVID lockdowns was companionship. We all huddled in our corners. We did our best to substitute technology for human interaction. We wore masks, got vaccinated and did our level best to stay healthy. But that was then. This is now. For myself, and many others, the time has come to engage with human beings, friends or strangers. Ordering on-line is quick and easy, but grumbling about the weather with a store clerk is much more satifying to the psyche. And, having real, live-person chats with other writers is one of the best things an author can do for herself.

What about you, dear readers. Have you found your way back into the company of fellow humans? Do you avoid crowds or do you seek out like-minded enthusiasts and spend time together? How is your choice working out for you? I hope that whatever path you choose, you find joy in your days.

International Women's Day

Name that Word

February 5, 2025 / Alice Valdal / 0 Comments

As a writer, I’m fascinated with words. I love the way they sound. I love the weird spellings of the English language. I even have a list of “beautiful words” that includes lilac, haze, mauve, sigh, lullaby, lily, sly. . . Notice how many soft consonants are in my list. Maybe it is that melodic (another favourite word) sound tht marks them as beautiful in my mind.

Among my favourite books are Simon Winchester’s The Professor and the Madman, and Pip Williams’ The Dictionary of Lost Words. Both tell of the development of an English dictionary, how words were discovered and researched and used and, eventually, added to our word list.

The study of words, and particularly their origin is called “etyology,” not to be confused with “entomology” which is the study of insects. Notice the “ology” in both words. It means study of. Hence theology, astrology, geology, biology . . . etc.

Obviously, I could go on forever about words, but what caught my attention recently was the number of words (usually nouns) in our language that are actually the name of a person. Did you know the word “Hansom” as used in a “Hansom Cab” is named for James Hansom (handsome), an English engineer who designed the vehicle?

Nathaniel Bigot (1575 -1660) was a Puritan preacher born in Ipswich. His intolerance and zeal were such that none of the sects of the Puritan religion would admit him to membership. He frequently stood up and began preaching at the Globe theatre during Shakespeare’s plays, railing against the vanity and depravity he perceived on the stage. For his pains, he was ejected from the theatre. A supporter of Cromwell, even that dour dogmatic found Bigot a nuisance and had him arrested. He was a staunch Parliamentarian who called for the execution of Charles I. He died of apoplexy when he saw Charles II entering London at the time of the Restoration. It is questionable whether his name was given to our word, “bigot” but he certainly embodied its meaning!

I’ve always considered gingham a very homey, wholesome pattern, but one source tells me that Martha Gingham (1580-1648) was a bawdy-house keeper who dressed her “girls” in clean petticoats and neat frocks of striped or checked cloth. So much for my preconceived notion!

Don’t forget the fourth Earl of Sandwich who bestowed his name on the snack we eat between slices of bread. There are several stories about him. In one, he is credited with sponsoring Captain James Cook’s voyages. In gratitude, Cook named the Sandwich Islands in his honour. In a less flattering story, the earl, who was an inveterate gambler, didn’t want to interupt his play to eat. He created the sandwich so he could eat without getting his fingers greasy, and thus remain at the card table.

There are endless examples of men and women giving their names to the language. The examples I’ve cited are historical, but just think of how we use “Google” as a verb. A Shirley Temple is a non-alcoholic drink, Reaganomics, an economic theory named after a former president of the United States, or Scrooge to describe a miser.

The study of words provides endless fascination for a wordsmith. I’d love to hear your favourite words, just add them to the comments section of this post.

5 Body Language Surprises

January 22, 2025 / Alice Valdal / 0 Comments

I had a very strange start to the year — I lost my voice. I don’t mean I lost my ability to sing or declaim from the stage. I mean I lost the ability to make any sound using my vocal cords. (Aphonia) Never happened to me before and was, frankly, scary. Here’s how.

I couldn’t call for help. If I fell in a ditch, I couldn’t cry out. I had to attract attention by banging things, or throwing things, or physically assaulting my hearers. Not an efficient way to get help quickly.
By the same token, I couldn’t sound a warning. When I saw danger approaching someone else, I could not call out an alarm. It made me feel helpless and culpable in another’s misfortune.
My sense of identity suffered. I am a singer, my voice has always been an important part of my make-up. To suddenly be silenced struck at the core of my self-confidence.
I was isolated. I could not carry on a conversation. Meeting with friends left me feeling left out since I could not participate in the exchange of news and ideas.
I couldn’t use the telephone. When my brother called from 2000 miles away, I couldn’t even say hello. How disappointing is that?

Writers often study body language as a means of making their words on the page more powerful. Well, being mute for three days, I had lots of time to practice body language! I got a stiff neck from all the nodding and head-shaking. My eyeballs rolled up and down so often they needed a massage. My mother told me it was impolite to point, but I pointed at everything, big, stabbing, forefinger pointing. How else could I tell my husband to feed the cat?

Surprises

I referenced surprises in the title of this post.

Here is the first one. As a writer I’m familiar with the importance of body language in our fiction. On the page, we use things like “pursed lips” or “clenched fists” or “narrowed eyes” to convey mood or emotion. In real life, those cues are too small to make up for the lack of words. If no one is looking, pulling your lips into a prune shape accomplishes nothing but to create facial lines. Maggie Lawson talks about “amplifying” important moments in a novel. She adds metaphor and cadence to amplify those pursed lips. i.e. “She pursed her lips so tightly I thought she might choke.”
Voice is elusive. We are born able to make sound, even if it is just a wail. Every day of my life, I have had a voice — until I didn’t. In writing, the author’s “voice” is just as necessary and just as hard to define. It is that indefinable something that marks a passage as unique to that particular writer. Stephen Sondheim and Oscar Hammerstein II used the same notes of the scale, but the music – voice – they produced was entirely different. It is that distinction that marks an author’s voice.
Characters have voice. Here the possibilities for a writer are endless. We can speak of specific characteristics like a “gravelly voice” or a “breathless whisper” or “as shrill as nails on a chalkboard.” But once we have decided on a defining trait for our character’s voice, we need to stick to it. Just as a baby can recognize his mother’s voice, we want our readers to recognize the voice of a character without having to use dialogue tags. What a protagonist says and how he says it, should identify him. If the hero and the villain sound the same, the story needs a rewrite.
Authors can use speech, or lack of it, to advance the plot. When I was mute, I was easily overlooked in group settings. Just like the servants in a Regency novel, I was invisible, discounted. If you write a story about a woman who struggles with self-confidence, make her silent in a crowd. She’ll have plenty of time to observe and won’t be seen as a threat to anyone. Think Miss Marple.
Life experience is a marvellous teacher. Until I lost my voice I’d never considered the implications of being mute. I expect life experiences used in fiction to be huge–earth-shattering, monumental –things like life and death and love. But small things have consequences. Those small things just might be the trigger to lift your writing to the next level.

Life is full of lessons. As authors we can use every experience to enhance our writing. We need to train ourselves to be aware and take note of all the moments, big or small, that make up our own backstory. That is the well from which we draw when creating compelling characters.

Please share in the comments any surprising discoveries from small events in your own life.

A Dark and Stormy Night

November 20, 2024 / Alice Valdal / 0 Comments

Edward Bulwer-Lytton

It was a dark and stormy night; the rain fell in torrents – except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the house-tops, and fiercely agitating the rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness … Edward Bulwer-Lytton, 1830

These words, penned by Edward George Earle Bulwer-Lytton, 1st Baron Lytton, have long been held up as the quintessential example of overwrought, purple prose. He is even spoofed in a contest bearing his name. Entrants vie to write the worst opening lines they can conceive. In 2024 the winning entry read:

“She had a body that reached out and slapped my face like a five-pound ham-hock tossed from a speeding truck.”

For such a complicated man and prolific writer, — he turned out thirteen novels, two long poems, four plays, a history of Athens, and numerous essays, as well as editing a magazine in one twelve-year stretch– I wonder if it is fair to judge him by one line of awful prose.

He wrote with a social consious and his historical works were well researched. Don’t forget, he was writing at a time that celebrated gothic novels. He was a friend of Charles Dickens — another long-winded writer — who is still respected today.

Our protagonist was a politician as well as a writer. He served as a Whig member of Parliament from 1831 to 1841 and a Conservative from 1851 to 1866. He was Secretary of State for the Colonies from June 1858 to June 1859.

His historical fiction, The Last Days of Pompeii (1834) was a sensation in its day and remains one of Bulwer-Lytton’s two major works still being read. The other, The Coming Race is an early science fiction tale, written years before H.G.Wells and others popularized the genre. It is Bulwer-Lytton’s misfortune that this seminal work is best known as the inspiration for the name of a popular British beverage, Bovril.

Judging from a list of EBL quotes, he seems possessed of some wisdom. Consider “the pen is mightier than the sword.” A quote still in use today but written in 1839 by Bulwer-Lytton in one of his plays. He also coined the phrase “pursuit of the almighty dollar,” and invented the concept of the “dweller on the threshold,” later the title of a Van Morrison song.

Other quotes include these gems:

Genius does what it must, and talent does what it can.
The true spirit of conversation consists in building on another man’s observation, not overturning it.
O be very sure that no man will learn anything at all, unless he first will learn humility.
The easiest person to deceive is one’s self.

His personal life included a tempestuous marriage. At one point he had his wife locked in an insane asylum. She was later released and was seen grieving at his funeral. He had a son, who became a diplomat and a well known poet using the name Owen Meredith.

In our day, social media can make a celebrity or destroy a reputation in a matter of seconds. In Bulwer-Lytton’s day, it took a little longer for critics to sway public opinion but Bulwer-Lytton’s detractors, including Makepiece Thackery, succeeded in turning him from one of Britain’s most popular novelists into a parody of florid writing.

I do enjoy the Bulwer-Lytton contest — terrible writing, done on purpose, is very funny — but I wonder if it isn’t time to give the man a little credit for his other accomplishments.

Agony in Amethyst

October 30, 2024 / Alice Valdal / 0 Comments

I’ve mentioned my friend, A.M. Stuart, on this blog before. She writes the Harriet Gordon series, set in early twentieth century Singapore. Well, she has just published the fifth and final installment, Agony in Amethyst. Perhaps she ran out of jewels. In any case, this tale tidies up a few loose ends left over from Terror in Topaz and brings Harriet and Curran to their HEA –finally!

If you want more background on Harriet and her times, go to A.M. Stuart books. You can see all the books in the series, watch a short video and get a free copy of the prequel The Umbrella, when you sign up for Ms Stuart’s newsletter.

In our splintered world, I often find myself railing against social media for spreading hatred and lies and fomenting anger.

And yet, when I consider my long friendship with an author on the other side of the world — I don’t think one can get farther from my home in Canada, to hers in Australia — I laud the wonders of electronic communication which make that possible.

Twenty years ago I picked her name off a registration list for an on-line course. The instructor wanted the students to pair up as a way of making us accountable. I decided to choose someone from far away. She picked me too and for the same reason. We’ve discovered so many commmonalities, apart from the obvious English language heritage. We’re both married. We both love cats. We both attend church. We share similar outlooks on the state of the world. We write and read historical fiction. We belong to romance writing groups.

We do have at least one difference. She is a much faster writer. When the pressure is on she can settle in front of her computer and churn out the words and storyline much, much faster than I can. I envy her on that front. To even things out a bit, I have a great neighbour and she has issues over the back fence. 😊

Over the course of our friendship we have endured a worldwide pandemic, seen a shift in world attitudes, watched our democracies come under threat, grieved at wars in Europe and the Middle East. We’ve seen the weakening of traditional publishing and the explosion of self-publishing in our industry. We’ve confronted the physical ailments associated with aging. And we’ve seen our friendship grow and deepen — all through weekly letters.

Through the power of words I’ve gained a friend oceans and continents away from me. Through the power of words we’ll keep on sharing our thoughts, our troubles and our triumphs. Through the power of words we have a friend to lean on.

Words have great power — good and evil. The maxim, “the pen is mightier than the sword,” still holds true. Like my friend and I, let us all use that power to learn and grow and understand the “other.”

Generation Gap

June 19, 2024 / Alice Valdal / 4 Comments

doing homework I didn’t post to this blog last week because I had out-of-town company. In fact, I had out-of-province company. It was wonderful to have family come for a visit — a reminder of the special bond of kinship. I was thrilled to discover my great niece is a reader. A visit to my local book store was a highlight of the trip for her. Her brother was more intrigued by the toy store next door. 🙂 Her choices were all unknown to me. In fact, we didn’t have any book references in common.

Co-incidentally I read an interesting paper at Writer Unboxed on the need to “explain” our use of language. The question was whether the reader would “get” the author’s references. I was astonished to learn that a seasoned author presented draft ms to young critique partner only to find the reader didn’t understand the allusion to women in the 1950’s attending university in order to obtain an MRS. degree. That was such a common conception in my day I simply assumed it was part of our collective conscience. Now I question all the idioms I thought were universal. How many people who hear “David and Goliath” know the Biblical story? If a rogue “meets his Waterloo,” does the average reader understand Napoleon’s defeat at that place?

My aforementioned great-niece is a “tween” and very specific about the books she reads. The Baby-Sitters Club is top of the wish list. She’s also keen on mysteries, however, despite high praise from her mother, grandmother and great-aunt, she refuses to read Nancy Drew!

How will our generations talk to each other if we don’t have the same reference points? If coming generations don’t read the classics like Little Women, or Anne of Green Gables, where will we find common ground for conversation let alone for reading? To be fair, I haven’t rushed off to the YA section of my library in search of Dog Man either.

My book club meets today. The book under discussion involves a different culture and contains many culturally specific words. The author made no attempt to explain these terms to the reader, leaving us with the choice of putting the book down while we hunted up a dictionary, or skipping the unknown word and carrying on with the story. The approach did not resonate with me. I would have preferred that the author make some attempt to describe a piece of clothing rather than merely assign a foreign word and put the reader to the trouble of researching the vocabulary. Again, I must review my own writing for references that may be meaningless to some readers.

It seems authors must always be prepared for new challenges. And we must seek the balance between assuming our readers share our background and education and treating them like preschoolers who must have every word explained.

What do you think? Do you want plentiful explanation in your fiction reading or do you just want to get on with the story?

Jane and the Brand

May 15, 2024 / Alice Valdal / 0 Comments

This week my book club meets and we are each bringing a different book by Jane Austen. I chose The Watson’s, which was an unfinished fragment left by Miss Austen when she died. Various members of her family tried to complete the ms using Jane’s notes and her sister’s (Cassandra) recollections. Each of these writers used the original manuscript and then tagged on an ending of his/her own, trying to imitate Jane Austen. The version I read is one completed by John Coates — no relation of the Austen’s — that is a rewrite of the whole book, including the part that Miss Austen left unfinished.

It must have taken considerable confidence to re-write the famous author’s original words, but Coates argues that she left only a rough draft and would have edited it herself if she had ever finished it for publication. The result is seamless. I cannot tell what is original to Austen and what was added by John Coates.

This book was a very enjoyable read, but I felt it hadn’t the depth of Austen’s finished works and lacked the humour and gentle mocking of “society” so wonderfully achieved in the major novels. Still, reading what is essentially a rough draft makes it easier to recognize the main characteristics of a Jane Austen novel.

To use modern terminology, the book follows the Austen “brand.” We have a gaggle of sisters, an ailing father, a great need for husbands, faithless suitors, a worthy but awkward hero, a country ball, gossip, and the many restrictions placed upon young ladies of this age. (If reading about the powerlessness of women of that era, whether rich or poor, doesn’t get your women’s lib passion frothing, you’re missing the point!)

Over the years I’ve read many articles and attended many lectures on “branding.” Often the emphasis is on visual similarity like covers and websites being instantly recognizable as belonging to a particular author. Since Jane Austen’s books were first published, they have gone through many editions and different publishers, so the “look-alike” covers don’t apply. But, I think, her story elements are just as reconizable as production elements like cover-art and author name.

The branding lectures often focus so much on the art, the colours, the fonts, and the back blurb that they overlook what is between the covers. But, when it comes down to it, don’t readers come back to their favourite authors because of the story, the style, the voice, and the reliability of the writer to spin a tale that resonates and satisfies.

Spending my last week in Jane Austen world, I’ve wondered far from the Canadian frontier, and gold prospectors, and building a new country, but it has been fun to take a ” walk on the tame side,” just for a change.

What about you? Are you a confirmed “Janeite?” Do you have a favourite Jane Austen novel? A favourite character? Or are you firmly in the modern world and have no time for picnics and balls and changing your clothes five times a day?

Category: For Writers (Page 1 of 18)

Love is Love

6 Ways to beat the Sophomore Slump

Here, There, and Everywhere

New Look at Morning Pages

VIRA

Writing Workshop

Menopause

Joy Cometh in the Morning

Name that Word

5 Body Language Surprises

Surprises

A Dark and Stormy Night

Agony in Amethyst

Generation Gap

Jane and the Brand

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